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    <name>PhD</name>
    <description>PhD Thesis</description>
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      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <name>Relation</name>
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              <text>61000288</text>
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          <name>Title</name>
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              <text>Symbols as Photographic Texts in the Travel Narratives of Paulo Coelho   </text>
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          <name>Subject</name>
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              <text>English</text>
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              <text>Brazilian writer Paulo Coelho de Souzas The Pilgrimage, The Alchemist, Zahir, Aleph and Hippie are known for using literary symbols to describe journeys where the
protagonists travel to different destinations searching for something valuable. The author resorted to multiple religions, cultures, traditions, mythologies and folklore to
derive inspiration to use those symbols and frame his philosophical thoughts. As the symbols used by Coelho can be deciphered in whatever way subject to personal
interpretations, one way of understanding them can be from the perspectives of their already established meanings in religions, cultures, traditions, mythologies and folklore.
Such a way of understanding limits the possible meanings that can be derived from those symbols. Moreover, another sign system is known for conveying limited
meanings, usually called photographs. Though absolute material accuracy is seen as the hallmark of photography, the meaning of photographs also depends upon their
interpretations, and photographic truth is considered a myth. Still, photographs possess documentary properties and convey limited meanings to a large extent. This thesis
studied the idea of photography, defining the same by understanding the historical developments in photography over time. Knowing the definition and properties of
photographs, it looked at how photographs convey limited meanings and exhibit 'iconic' properties in general. After isolating and studying the literary symbols used by Coelho
in the five travel narratives mentioned above using the Peircean model of semiotic analysis, the thesis concludes that symbols act as photographic texts to a certain limit
in the five novels, as they tend to move towards becoming 'iconic' from 'symbolic' if understood from the perspectives of their existing meanings in religions, cultures,
traditions,mythologies and folklore.</text>
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              <text>Sebastian, Rajat</text>
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          <name>Publisher</name>
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              <text>Christ(Deemed to be University)</text>
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          <name>Date</name>
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            <elementText elementTextId="69665">
              <text>2024-01-01</text>
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          <name>Contributor</name>
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              <text>S, Vidya</text>
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          <name>Rights</name>
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              <text>Open Access</text>
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          <name>Format</name>
          <description>The file format, physical medium, or dimensions of the resource</description>
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              <text>PDF</text>
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          <name>Language</name>
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              <text>English</text>
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              <text>PhD</text>
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          <name>Identifier</name>
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              <text>&lt;a href="http://hdl.handle.net/10603/547686" target="_blank" rel="noreferrer noopener"&gt;http://hdl.handle.net/10603/547686&lt;/a&gt;</text>
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