Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Articles Article Faculty Publications -Articles Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Romance and Hitchcock? Viewing master of suspense as master of romance Subject The topic of the resource Alfred Hitchcock; Auteur theory; Hitchcock romance; Romance Description An account of the resource This essay through literature and textual analysis argues that romance or romantic love is a dominant theme in Alfred Hitchcocks films alongside suspense. Romance in Hitchcocks films is highlighted in limited studies in the past and the findings are not conclusive. This study analysed a selected sample of 19 prominent films of Hitchcock. It argues that romantic content in Hitchcocks films is similar to classic Hollywood romantic films. However, unique features of romance specific to Hitchcocks films such as working together to solve a mystery, and complicated love were also found as recurring themes. Hitchcock employs his auteur style in the portrayal of romantic love to an extent that the romantic content in his films can be characterised as having a distinct style lending itself to term it as Hitchcock romance. Hitchcock romance is the amalgamation of suspense and romance that support each other to drive the narrative forward. 2024 Informa UK Limited, trading as Taylor &amp; Francis Group. Creator An entity primarily responsible for making the resource Somashekar I.; Nivedhitha D.; Pinto M.S. Source A related resource from which the described resource is derived Studies in European Cinema Publisher An entity responsible for making the resource available Routledge Date A point or period of time associated with an event in the lifecycle of the resource 2024-01-01 Identifier An unambiguous reference to the resource within a given context <a href="https://doi.org/10.1080/17411548.2024.2319850" target="_blank" rel="noreferrer noopener">https://doi.org/10.1080/17411548.2024.2319850</a> <br /><br /><a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-85186458294&amp;doi=10.1080%2F17411548.2024.2319850&amp;partnerID=40&amp;md5=eaafa96b2eac475aadcdcf97909bd513" target="_blank" rel="noreferrer noopener">https://www.scopus.com/inward/record.uri?eid=2-s2.0-85186458294&amp;doi=10.1080%2f17411548.2024.2319850&amp;partnerID=40&amp;md5=eaafa96b2eac475aadcdcf97909bd513</a> Rights Information about rights held in and over the resource Restricted Access Relation A related resource ISSN: 17411548 Format The file format, physical medium, or dimensions of the resource Online Language A language of the resource English Type The nature or genre of the resource Article Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Somashekar I., Department of Media Studies, CHIRST (Deemed to be University), Bangalore, India; Nivedhitha D., Department of Electronic Media and Mass Communication, School of Media &amp; Communication, Pondicherry University, Puducherry, India; Pinto M.S., Department of Journalism and Mass Communication, St. Aloysius College (Autonomous), Mangalore, India