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              <text>NONHUMAN VISIONS: From Experimental Cinema to Hollywood</text>
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              <text>In this chapter, I want to trace the convergences between experimental cinema, video-art practices and Hollywood that has emerged as a result of their mutual investment in capturing the visuality of the Anthropocene through a technologically produced and mediated sensory framework. Through a series of case studies from independent filmmakers and Hollywood blockbusters, I argue that as much as the avant-garde is invested in producing Anthropocenic imaginations, Hollywood has also been pursuing it by creating a series of affective strategies that help us to conceive and relate to an otherwise incomprehensible scales of deep-pasts and futures.  2024 selection and editorial matter, Simi Malhotra, Sakshi Dogra and Jubi C. John; individual chapters, the contributors.</text>
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              <text>Philip B.V.G.</text>
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              <text>Affective World-Making: Routing Planetary Thought, pp. 156-168.</text>
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              <text>Taylor and Francis</text>
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              <text>2023-01-01</text>
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              <text>&lt;a href="https://doi.org/10.4324/9781003461593-12" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.4324/9781003461593-12&lt;/a&gt;
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              <text>ISBN: 978-100380082-8; 978-103261103-7</text>
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              <text>Philip B.V.G., CHRIST (Deemed to be University), NCR, Delhi, India</text>
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