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                <text>Sinha B., Christ University, India; Dirghangi A., Christ University, India</text>
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                <text>Fine arts and cultural studies contribute greatly to the popular understanding of posthumanism. The ideas that are encapsulated under the umbrella of the term "posthumanism" help break away from the discourses that place the human at the center and expand to include dialogues against similar totalizing concepts. A movement towards posthumanism in Indian films can be observed in Bollywood's growing repository. This chapter studies the paradigms of posthumanism in Bollywood and its understanding in the Southeast Asian country. Environmental humanities, sci-fi, and horror act as the most fertile fields of study of the tenets of posthumanism as they grapple with societal debates. The chapter undertakes the study of posthumanism in Bollywood through an analysis of movies under Maddock films, namely Go Goa Gone, Bhediya, and Munjya.  2025, IGI Global Scientific Publishing. All rights reserved.</text>
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                <text>Sinha M., School of Business and Management, Christ University, Bangalore, India; Srivastava M., School of Business Management, SVKMs Narsee Monjee Institute of Management Studies, Bangalore, India</text>
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                <text>The present study investigates the impact of Augmented reality-induced influencer content moderated by the influencers credibility, steering to word of mouth trailed by purchase intentions of Gen Z in the fashion industry. This study employs a conceptual model grounded on the theory of social power and the S-O-R model with the moderating role of credibility. Data was gathered from 423 samples. To test the dimensionality of Augmented reality-induced influencer content, exploratory factor analysis with principal component analysis and Varimax orthogonal rotation was adopted. SPSS version 22.0 and AMOS version 20 were used for data analysis. The studys findings indicate that following influencers generates favorable brand effects, such as increased social power and higher purchase intentions, by fostering familiarity and internalizing behavioral intents. Credibility is vital in influencing views and promoting electronic word-of-mouth through interactions between audiences and influencers. Brands have significant chances to engage Generation Z with genuine content by utilizing influencer marketing facilitated by augmented reality. Therefore, the study concludes that Augmented reality-induced influencer content encourages consumers to engage actively and positively drives them toward brand outcomes.  2025 Korean Scholars of Marketing Science.</text>
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                <text>Patent Number: 202211043969, Applicant: Priyanka Kaushik.&#13;
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                <text>Sinha P., Christ University, Bangalore, India; Prabir M., Department of English and Cultural Studies, Christ University, Bangalore, India</text>
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                <text>This study examines intersectional representation in animated films through the characters of the Witch of the Waste (Howls Moving Castle) and Yubaba (Spirited Away), positioning them within discourses on fatness, queerness, and the reimagining of witchcraft as a metaphor for neurodivergence. Both characters reify camp aesthetics (a style characterised by excess, artifice, and a self-aware sense of extravagance) through exaggerated mannerisms, grandiose expressions, and theatrical speech, a feat made possible by the medium of animation, which enhances these characteristics beyond what live-action film can achieve. They are perceived as Other because their bodies are rendered disruptive to dominant social norms. Drawing on Sara Ahmeds Cultural Politics of Emotion, this study explores how these witches evoke fear, disgust and discomfort, mainly through their unruly corporeality and deviation from socially sanctioned expression. Fatness, neurodivergence, and queerness, like the abject, exist on the threshold of the acceptable, simultaneously provoking fascination and repulsion. These traits are further entangled with the logic of ethnonationalism, which upholds idealised bodily forms as markers of morality, and national superiority. This study reveals how Studio Ghiblis witches challenge dominant norms while also reflecting broader cultural anxieties about bodies that refuse to conform. The witches also channel the contradictions of the postwar maternal body, tasked with care, burdened with trauma, and shaped by national expectations of productivity and restraint. Ultimately, they offer a lens into how animated media navigates the politics of the body, excess, and deviance, contributing to broader discussions of intersectional representation in film and television.  2025 Australian National University, Dept. of Gender, Media and Cultural Studies. All rights reserved.</text>
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                <text>Animated Media Representation; Camp Aesthetics; Ethnonationalism; Fatness; Howls Moving Castle; Intersectionality; Neurodivergence; Spirited Away; Studio Ghibli</text>
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                <text>Sinha, Reelika; Sapna, S.</text>
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                <text>JUSTICE BEYOND COURTS: EXPLORING FEMINIST AND DIGITAL APPROACHES TO RESTORATIVE PRACTICE IN INTIMATE PARTNER VIOLENCE</text>
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                <text>Scientific Culture;Volume;11;Issue;3.2;pp.944-955</text>
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                <text>&lt;a href="https://doi.org/10.5281/zenodo.11322573" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.5281/zenodo.11322573&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.scopus.com/pages/publications/105027800221?origin=resultslist" target="_blank" rel="noreferrer noopener"&gt;https://www.scopus.com/pages/publications/105027800221?origin=resultslist&lt;/a&gt;</text>
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                <text>Sinha R., School of Law, Christ (Deemed to be) University, Bangalore, India; Sapna S., School of Law, Christ (Deemed to be) University, Bangalore, India</text>
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                <text>Intimate partner violence (IPV) has been a worldwide problem that has been quite hard to handle with traditional justice systems that lack the capacity to address the intricate needs of victims. The present paper aims to discuss how using restorative justice (RJ) based on feminist theory and driven by digital innovations, a different route to justice other than the traditional courts can be pursued. The research involves integrative qualitative method of synthesizing the results of peer-reviewed literature, policy reports on the assessment of such programs as Project Restore (New Zealand), NYC Blueprint (USA), and Open Circle (Australia), and online interventions, such as AR storytelling and digital mediation sites. This review shows that feminist models of RJ are based on the safety and empowerment of the survivor providing results that criminal courts can hardly provide. Nonetheless, these models do not have an easy time scaling because of resource limitations. Digital technologies, nevertheless, make RJ more accessible and anonymous, but at the same time they have ethical risks, including questions of privacy and algorithmic bias. The paper argues that such problems may be solved through the combination of feminist ethics and responsible digital design to create survivor-led and technology-enabling RJ systems. The results can be used in theory and policy formulation through the suggested model that will combine feminist and digital methods to make justice innovative, but ethically sound. This is an interdisciplinary approach that holds transformative prospects in the context of dealing with IPV worldwide.  2025.</text>
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                <text>Decentralized Finance (DeFi) is rapidly transforming the traditional financial system by introducing a permissionless, transparent, and trustless financial ecosystem powered by blockchain technology. It eliminates intermediaries by utilizing smart contracts on public blockchains like Ethereum, thereby promoting financial inclusion and operational efficiency. This paper explores the fundamental concepts of DeFi, the underlying technology including Ethereum, smart contracts, and Layer 2 solutions, and the wide array of its applications such as (DEXs), lending/borrowing platforms, yield farming, and stablecoins. In addition to examining the functional advantages of DeFi like reduced transaction costs and increased accessibility, the paper also critically analyzes the potential risks including smart contract vulnerabilities, regulatory concerns, and systemic dependencies. A special focus is given to the Indian regulatory framework and how it compares with global jurisdictions. The paper concludes with a discussion on the future prospects of DeFi.  2026, IGI Global Scientific Publishing. All rights reserved.</text>
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                <text>Sinha, Rituraj; Solanki, Shashank; Verma, Vijeta; Pandey, Vijaishree Dubey</text>
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                <text>Sinha R., Christ University, India; Solanki S., Christ University, India; Verma V., Christ University, India; Pandey V.D., Christ University, India</text>
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                <text>The rapid expansion of AI- driven metaverse environments has challenged traditional intellectual property frameworks, leaving indigenous and cultural heritage vulnerable to unauthorized use and misrepresentation. This study analyzes legal gaps in the protection of cultural knowledge in immersive digital platforms, highlighting risks posed by generative AI and decentralized governance. We evaluate emerging solutions such as blockchain- based ownership verification and NFT licensing-against ethical concerns of profit- sharing and moral rights. Drawing on comparative legal research, we propose an international framework integrating digital rights management and sui generis protections for cultural assets. Our recommendations stress collaboration among governments, international organizations, and technology developers, alongside the inclusion of digital heritage law in academic curricula, to empower indigenous communities to safeguard their cultural rights.  2026 by IGI Global Scientific Publishing. All rights reserved.</text>
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